High Talk (Poem by William Butler Yeats)

W. B. Yeats’s “High Talk” is a poem about artistic inheritance, imagination, and the poet’s struggle to create something remarkable in a changing ...
Stilt Parade by the Sea

High Talk
By William Butler Yeats

Processions that lack high stilts have nothing that catches the eye.
What if my great-granddad had a pair that were twenty foot high,
And mine were but fifteen foot, no modern Stalks upon higher,
Some rogue of the world stole them to patch up a fence or a fire.
Because piebald ponies, led bears, caged lions, ake but poor shows,
Because children demand Daddy-long-legs upon This timber toes,
Because women in the upper storeys demand a face at the pane,
That patching old heels they may shriek, I take to chisel and plane.

Malachi Stilt-Jack am I, whatever I learned has run wild,
From collar to collar, from stilt to stilt, from father to child.
All metaphor, Malachi, stilts and all. A barnacle goose
Far up in the stretches of night; night splits and the dawn breaks loose;
I, through the terrible novelty of light, stalk on, stalk on;
Those great sea-horses bare their teeth and laugh at the dawn.

Poem Analysis:

W. B. Yeats’s “High Talk” is a poem about artistic inheritance, imagination, and the poet’s struggle to create something remarkable in a changing modern world. Through the extended metaphor of a stilt-walker, Yeats presents the poet as someone who must rise above ordinary life in order to attract attention, preserve tradition, and discover new forms of expression.

The poem begins with the striking image of a procession without “high stilts.” Such a procession, Yeats suggests, lacks spectacle and fails to catch the eye. The speaker imagines that his great-grandfather possessed stilts twenty feet high, while his own are only fifteen feet. The image can be read as a metaphor for artistic inheritance: each generation receives traditions and creative possibilities from the past, but these may become diminished, damaged, or difficult to recover. The missing “modern Stalks” also suggest the poet’s anxiety that contemporary society no longer provides the same cultural structures or grandeur as the past.

Yeats then introduces the figure of Malachi Stilt-Jack, who represents the poet himself. He has inherited knowledge “from collar to collar, from stilt to stilt, / from father to child.” This emphasizes the continuity of artistic and cultural tradition. Yet inheritance is not simply preservation. The speaker admits that what he has learned has “run wild.” His imagination transforms inherited materials into something unpredictable and individual. Thus, Yeats presents artistic creativity as a dialogue between tradition and innovation.

The poem’s language becomes increasingly surreal toward the end. Images such as the “barnacle goose,” the breaking dawn, and the “great sea-horses” create a dreamlike and almost mythical atmosphere. The speaker moves forward “through the terrible novelty of light,” suggesting that modernity is both frightening and liberating. Light may symbolize a new awareness or a new age, but it is “terrible” because entering the unfamiliar requires courage.

The final image of the sea-horses laughing at dawn is especially significant. The sea-horses may suggest powerful forces of imagination, myth, or nature that cannot be controlled by ordinary human experience. Their laughter gives the ending an ambiguous quality: the poet continues to “stalk on,” but the future remains mysterious.

“High Talk” explores the relationship between the past and the present and the difficult responsibility of the artist. Yeats uses the comic and extraordinary image of a stilt-walker to express a serious idea: a poet inherits traditions from previous generations but must transform them to speak meaningfully in a new age. The poem therefore celebrates artistic imagination while also acknowledging the uncertainty and danger involved in creating something new.

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