Fantasia (Poem by Duncan Campbell Scott)

Duncan Campbell Scott’s “Fantasia” is a richly imaginative poem that explores love, separation, desire, and the impossibility of complete union.
Intricate Bazaar of Gems and Secrets

Fantasia
By Duncan Campbell Scott

Here in Samarcand they offer emeralds,
Pure as frozen drops of sea-water,
Rubies, pale as dew-ponds stained with slaughter,
Where the fairies fought for a king's daughter
In the elfin upland.
Here they sell you jade and calcedony,
And the matrix of the turquoise,
Spheres of onyx held in eagles' claws,
But they keep the gems as far asunder
From the dull stones as the lightning from the thunder;
They can never come together
On the mats of Turkish leather
In the booths of Samarcand.

Here they sell you balls of nard and honey,
And squat jars of clarid butter,
And the cheese from Kurdistan.
When you offer Frankish money,
Then they scowl and curse and mutter,
Deep in Kurdish or Persan
For they want your heart out and my hand
In the booths of Samarcand.

They would sell your heart's blood separate,
In a jar with a gold brim,
With a text of burning hatred
Coiled around the rim;
They would sell my hand upon a beam of teak wood,
In the other scale a feather curled;
They would sell your heart upon a silver balance
Weighed against the world.
But your heart could never touch my hand,
They could never come together
On the mats of Turkish leather
In the booths of Samarcand.

Poem Analysis:

Duncan Campbell Scott’s “Fantasia” is a richly imaginative poem that explores love, separation, desire, and the impossibility of complete union. Set in the exotic marketplace of Samarcand, the poem creates a dreamlike world filled with precious stones, spices, foreign languages, and mysterious merchants. Beneath this colorful imagery, however, lies a deeply emotional conflict: two lovers whose hearts and bodies are symbolically divided and can never be brought together.

The setting of Samarcand is central to the poem’s atmosphere. The marketplace is presented as a place of extraordinary beauty and wealth, where merchants sell emeralds, rubies, jade, turquoise, onyx, honey, butter, and cheese. Scott uses these exotic objects to create a fantasia, or imaginative dream world. The repeated references to “the booths of Samarcand” give the poem a musical, almost hypnotic quality. At the same time, the marketplace becomes a symbol of separation. The precious objects are carefully kept apart: “they can never come together / On the mats of Turkish leather.” This physical separation reflects the emotional distance between the speaker and the beloved.

The poem’s imagery becomes increasingly personal as it progresses. In the final stanza, the merchants offer to sell “your heart’s blood” and “my hand,” but these objects remain separate. The heart represents love, emotion, and inner life, while the hand suggests physical contact and human connection. The merchants can measure and exchange almost anything, yet they cannot unite the two lovers. The striking image of “your heart upon a silver balance / Weighed against the world” emphasizes the enormous value of love while simultaneously showing its helplessness in the face of separation.

Scott also contrasts beauty with violence. The rubies are described as “dew-ponds stained with slaughter,” transforming an image of delicate beauty into one associated with bloodshed. Similarly, the poem mentions “a text of burning hatred” surrounding the jar containing the heart’s blood. These images suggest that love exists alongside conflict and hostility. The poem therefore does not present the marketplace merely as an exotic setting; it becomes a symbolic world in which desire, violence, wealth, and emotional suffering coexist.

The use of repetition is another important feature of the poem. Phrases such as “Here they sell you” and “In the booths of Samarcand” recur throughout the poem, producing a chant-like rhythm. This repetition reinforces the commercial nature of the marketplace while also emphasizing the futility of the lovers’ situation. Everything seems available for purchase, but the one thing that truly matters—the union of the two lovers—is impossible to obtain.

The poem’s title, “Fantasia,” is also significant. A fantasia is an imaginative or dreamlike composition, and Scott’s poem has the qualities of a dream: exotic locations, unusual objects, mysterious merchants, and impossible transactions. Yet beneath this fantasy lies a serious meditation on human longing. The fantastic marketplace allows Scott to express emotional realities indirectly, turning the pain of separation into a strange and beautiful vision.

“Fantasia” is a poem about the tension between desire and impossibility. The marketplace contains countless treasures, but none can accomplish what the speaker desires most. The recurring image of the heart and hand that “could never touch” becomes the central symbol of frustrated love. Through exotic imagery, repetition, symbolism, and musical language, Scott transforms a simple story of separation into a haunting dream in which love is precious beyond measure but remains tragically unattainable.

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