A Nativity (Poem by William Butler Yeats)

W. B. Yeats’s poem “A Nativity” presents the birth of Christ in an unusual and highly imaginative way. Instead of describing the Nativity scene ...
Engraved Nativity Under the Star

A Nativity
By William Butler Yeats

What woman hugs her infant there?
Another star has shot an ear.

What made the drapery glisten so?
Not a man but Delacroix.

What made the ceiling waterproof?
Landor’s tarpaulin on the roof

What brushes fly and moth aside?
Irving and his plume of pride.

What hurries out the knaye and dolt?
Talma and his thunderbolt.

Why is the woman terror-struck?
Can there be mercy in that look?

Poem Analysis:

W. B. Yeats’s poem “A Nativity” presents the birth of Christ in an unusual and highly imaginative way. Instead of describing the Nativity scene directly, Yeats connects it with famous figures from art and theatre, creating a mixture of religious imagery, artistic references, and dramatic mystery. The poem is short, but it raises important questions about the meaning of Christ’s birth and the human response to it.

The poem begins with the image of a woman holding her infant: “What woman hugs her infant there?” This immediately recalls the Virgin Mary and the infant Christ. However, the next line, “Another star has shot an ear,” introduces a strange and almost violent image. The star traditionally represents the Star of Bethlehem, which announces Christ’s birth, but Yeats presents it in a surprising and unsettling manner. This suggests that the Nativity is not simply a peaceful event; it may also contain mystery, suffering, and danger.

Yeats then refers to several famous artists and actors. Delacroix, the French Romantic painter, is associated with the shining drapery, while Landor is connected with the tarpaulin on the roof. Irving, the celebrated actor, appears with his theatrical plume, and Talma, another famous actor, is associated with a “thunderbolt.” These references make the Nativity appear like a scene created on a theatrical stage. Art and religion become closely connected, suggesting that human beings understand sacred events partly through artistic representation.

The theatrical references are particularly significant. Words such as “brushes,” “plume,” and “thunderbolt” evoke painting, costume, and dramatic performance. Yeats therefore seems to question how much of what we imagine about religious events is shaped by artists and performers. The Nativity becomes both a sacred event and a work of art.

The final couplet changes the mood dramatically: “Why is the woman terror-struck? / Can there be mercy in that look?” Mary’s fear is especially important. Traditionally, the Nativity is associated with joy and hope, but Yeats emphasizes fear and uncertainty. The final question suggests that the birth of Christ may bring not only salvation but also suffering and judgment. The poem therefore gives the familiar Christian story a darker and more mysterious dimension.

“A Nativity” is a compact but complex poem in which Yeats combines Christianity, painting, and theatre. Through unexpected artistic references and the frightened figure of the mother, he transforms the traditional Nativity scene into something mysterious and unsettling. The poem ultimately invites readers to look beyond the familiar religious image and consider the deeper uncertainty and human emotion surrounding the birth of Christ.

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